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Lysippe: Étude Critique (Classic Reprint) (French Edition)\r
by Maxime Collignon\r
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>>>DOWNLOAD BOOK Lysippe: Étude Critique (Classic Reprint) (French Edition)\r
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Excerpt from Lysippe: &#xC9;tude Critique<br><br>Le groupe de Delphes: Emil Frenner, Ein delp/n'sches escl. Leipzig, i9oo. Homolle, Bulletin de correspondance helle'ni X, 1899, p. 421-485. Lechat, Revue des e'tudes anciennes, t. II, 190 1&#x20AC; l'apoxg/ome'nos bibliographie cit&#xE9;e par W. Amelung, Dle Sculp'ituren Valicanischcn Museums, I, p. 86, no 67. Les portraits d'alexandlre Kr Ueber das Blldniss Alea'anders (les Grossen, Berlin, 1892. Ch. (le Ujfa Le type physique d'aleeandre le Grand d'apr&#xE8;s les auteurs anciens e documents iconographiques, Paris, A. Fontemoing, 1902. Theodor Sobre. Studien &#xFC;ber (las Bildniss Alexanders des Grossen, Leipzig, 190: Reinach, Gazette des beaux-arts, 1902, p. 155 et suivantes. O. Alexander mit der Lanze, Berlin, 1898. Arndt, Griechische und noemis l'ortra'ts, texte des planches 471-486. Furtwaengler, Journal ofi hellen Studies, XXI,1901. P. 212 et suivantes. Bernoulli, Griechlsche I/conoarap/u'p t. III, 1905. La chasse d'alexandrea Delphes Loeschcke, Jahrbuch des arch. Instituts, 1888, p. 187 et suiv. Homolle. Bull. De corresp. Hell&#xE9;nique, XXI, 1897, p. 598-600. Perdrizet, Journal of hellcn. Studies, XIX, 1899, p. 273-279. - l'he'racl&#xE8;s Epz'lrap e'sios Ravaisson, Gazelle arch&#xE9;ologique, X, 1885, p. 29 et suivantes. W'eiszzicker, Jahrbuch des arc/l. Inst., IV, 1889.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.\r
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